Online Exclusives

Sarah Thankam Mathews’ "All This Could Be Different"

ReviewsWashington SquareFebruary 16, 2023review

The Instinct for Desire: Maggie Millner’s “Couplets: A Love Story”

ReviewsWashington SquareFebruary 7, 2023review

Where "the past meets the present”: An Interview With Laurel Richardson 

InterviewsWashington SquareJanuary 23, 2023interview, visual art

Literary Roundup: Washington Square Review's 2022 Staff Picks

Washington SquareJanuary 2, 2023

Seán Hewitt's "All Down Darkness Wide"

ReviewsWashington SquareDecember 12, 2022review

“Lying is Essential to Poetry”: Emily Skillings on Holes, Collage, and John Ashbery

InterviewsWashington SquareDecember 2, 2022

“I Don’t Think Tragedy Informs the World”: A Conversation with Robert Wood Lynn

InterviewsWashington SquareNovember 1, 2022interview, poetry

Jenny Xie's "The Rupture Tense"

ReviewsWashington SquareOctober 20, 2022poetry, review

Urban Poet Nathalie Handal on “Kaddish,” Allen Ginsberg, and “Volo”

InterviewsWashington SquareOctober 13, 2022interview, poetry

Nada Alic’s "Bad Thoughts"

Washington SquareJuly 15, 2022

Bud Smith's "Teenager"

Washington SquareMay 10, 2022

A Conversation with Oksana Stomina

Washington SquareApril 7, 2022

Dispatches from Ukraine - Mariupol on the Front Lines

Washington SquareMarch 22, 2022

An Interview with Alexei Nikitin

Washington SquareMarch 17, 2022

Dispatches from Ukraine - The Faces of Fire

Washington SquareMarch 10, 2022

Dispatches from Ukraine - An Introduction

Washington SquareMarch 9, 2022

‘None of the Beaten End Where They Begin’: A Personal Attunement to Contemporary Poetry

Washington SquareDecember 16, 2021

In Memoriam: Etel Adnan (2/24/1925 - 11/14/21)

Washington SquareNovember 24, 2021

Sally Rooney’s Beautiful World Where Are You?

Washington SquareNovember 23, 2021

The Best American Short Stories, 2021 Edition – Live Readings at the Peter Jay Theater

Washington SquareNovember 5, 2021